Liverpool Beatles

For this project we decided to do a documentary on the Beatles as we were in Liverpool. We started this project with an awful lot of research, we all watched as many different documentaries to get a good jist of what the people of liverpool think about them. we used this documentaries and research to help us gather good questions to ask the public aswel as Beates experts.

Filming

The day we arrived in Liverpool we knew Mathew Street was the first place to go. We went to the Hard Days Night Beatles gift shop first where we interviewed a man who helped us greatly and let us film as much as we wanted. We then went into the world famous Cavern club and pub. where we met another  man who let us film him and his friends and film the Cavern club. This was a really good start for us, we had 3 very good interviews in perfect locations and some excellent shot of the club, pub , gift shop and Mathew street. after we had our main interviews we went all over liverpool getting some nice shots to fill up the interviews, so shots of the docks, we got some shots of strawberry fields aswel as interviews of members of the public, although didn't use any of them. overall i believe the filming part of the project went as well as it possibly could have.

Editing

editing was the most difficult part as always, we didn't really have any problems in particular with editing, the only issue we had was the structure of the project. so knowing what order we should show everything was the main issue we had. we wanted to keep the audience interested so we tried to stay away of just having loads of shots of people talking, we added nice cut aways aswel as a brief clip of the Beatles playing in the Cavern. We also filmed some buskers in liverpool so we could cut away to them to keep the audience interested. As we couldn't use Beatles songs due to copy right i got my mate to record some Beatles songs for me on his acoustic guitar and i believe those really helped as having a Beatles documentary and having no music init would really not have worked.

Overall i hink our project has worked really well and im pleased to have been apart of it.

The Beatles documentaries we looked at.

The Beatles Abbey Road Documentary

A Hard Day's Night

The Beatles had a successful film career, beginning with A Hard Day's Night (1964), a loosely scripted comic farce, sometimes compared to the Marx Brothers in style. A black-and-white film, it focused on Beatlemania and the band's hectic touring lifestyle and was directed by the up-and-coming Richard Lester, who was known for having directed a television version of the successful BBC radio series The Goon Show as well as the off-beat short film The Running, Jumping and Standing Still Film, with Peter Sellers and Spike Milligan. A Hard Day's Night is a mockumentary of the four members as they make their way to a London television programme. The film, released at the height of Beatlemania, was well-received by critics, and remains one of the most influential jukebox musicals.

Help!In 1965 came Help!; an Eastmancolour extravaganza, which was also directed by Lester. The film was shot in exotic locations (such as Salisbury Plain, withStonehenge visible in the background; the Bahamas; and Salzburg and the Tyrol region of the Austrian Alps) in the style of a Mr. Magoo spoof along with even more Marx Brothers-style zaniness: For example, the film is dedicated "to Elias Howe, who, in 1846, invented the sewing machine." It was the first Beatles film filmed in colour.

Magical Mystery TourThe Magical Mystery Tour film was essentially McCartney's idea, which was thought up as he returned from a trip to the U.S. in the late spring of 1967, and was loosely inspired by press coverage McCartney had read about Ken Kesey's Merry Pranksters' LSD-fuelled American bus odyssey. McCartney felt inspired to take this idea and blend it with the peculiarly Englishworking class tradition of charabanc mystery tours, in which children took chaperoned bus rides through the English countryside, destination unknown. The film was critically dismissed when it was aired on the BBC's premier television network, BBC-1, on Boxing Day — a day primarily for traditional "cosy, family entertainment". While the film has historical importance as an early advance into the music video age, at the time many viewers found it plotless and confusing. Compounding this culture clash was the fact that the film was made in colour and made use of colour filters for some of the scenes - particularly in a sequence for "Blue Jay Way". In December 1967 practically no-one in the UK owned a colour receiver, the service only having started a few months earlier.

Yellow SubmarineThe animated Yellow Submarine followed in 1968, but had little direct input from The Beatles, save for a live-action epilogue and the contribution of five new songs (including "Only a Northern Song", an unreleased track from the Sgt. Pepper sessions). It was acclaimed for its boldly innovative graphic style and especially stinging pangs of heartbreak, along with the soundtrack. The Beatles are said to have been pleased with the result and attended its highly publicised London premiere. Regarding the voices provided by voice actors for The Beatles in the film, each one of The Beatles thought his own voice was not quite right, whilst saying that the other three were perfect.

Let It BeLet It Be was an ill-fated documentary of the band that was shot over a four-week period in January 1969. The documentary — which was originally intended to be simply a chronicle of the evolution of an album and the band's possible return to live performances — captured the prevailing tensions between the band members, and in this respect it unwittingly became a document of the beginning of their break-up.
The band initially rejected both the film and the album, instead recording and issuing the Abbey Road album. But with so much money having been spent on the project, it was decided to finish, and release, the film and album (the latter with considerable post-production by Phil Spector) in the spring of 1970. When the film finally appeared, it was after the break-up had been announced, which gave the film's depiction of the band's acrimony and attempts to recapture the group's spirit a significant poignancy.